WPGM Recommends: Father John Misty – Pure Comedy (Album Review)
The jaded prophet of modern times that is Tillman’s alter ego, Father John Misty, has changed gears with his latest release in favour of a...
WPGM Recommends: Daye Jack – No Data (Album Review)
Daye Jack’s suave brand of hip-hop has come a long way since his self-released 2014 mixtape, Hello World. Its release propelled his profile in the...
WPGM Recommends: Laura Marling – Semper Femina (Album Review)
Laura Marling is a special kind of storyteller. Each record she has released has differed and progressed in its lyrical framework as well as its...
WPGM Recommends: King Gizzard & The Lizard Wizard – Flying Microtonal Banana (Album Review)
It goes to show how deeply attuned people have become (forgive the pun) to Western harmony, the fact that listening to King Gizzard & The...
WPGM Recommends: Bing & Ruth – No Home Of The Mind (Album Review)
Brooklyn-based Bing & Ruth, according to their label 4AD’s official website, aim to write “minimalist ensemble music with a certain filmic sensitivity, one that prioritised...
WPGM Recommends: Teen Daze – Themes For Dying Earth (Album Review)
Where you make a record can have a huge effect on its vibe. You can, for instance, feel the distance between Justin Vernon and the...
WPGM Recommends: Nines – One Foot Out (Album Review)
As rap music ascend further into prominence, there is a duality suffered by those rising stars on the brink between underground success and mainstream fame....
WPGM Commentary: Four Tet’s Playlist Protest Is A Celebration Of Culture
Pioneering UK producer Four Tet (Kieran Hebden) made a political statement of a unique sort last week. The musician collated tracks by artists from the...
WPGM Recommends: Toothless – The Pace Of The Passing (Album Review)
In a recent interview, Ed Nash of Bombay Bicycle Club said something that reminded me of a lament I’d heard years ago, in my pop-punk...