WPGM Interviews: Chox-Mak – 90’s Flow Lives, Being Lyrical And The Future Of Hip Hop
The 90’s is like the epitome of Hip Hop. It “regulated” Warren G and Nate Dogg, blessed us with Cypress…
WPGM Recommends: Seinabo Sey – Pretend (Album Review)
“3 days to go…“, “2 days to go…“, “1 day to go…“, when a musician anticipates the release of their…
WPGM Recommends: Tove Styrke – Kiddo (Album Review)
Beatrix Kiddo is the strong female protagonist in Quentin Tarantino’s martial arts film Kill Bill, a character that Swedish Electropop…
WPGM Recommends: Tracy Bruen – Play Outside The Lines (EP Review)
Hailing from Ireland’s Galway – a booming city that’s at the heart of traditional folk music – playful multi-instrumentalist and…
WPGM Recommends: Lydia René – Vintage Heart (Album Review)
Did Neo-soul ever disappear? The sophisticated, challenging, emotional and organic alternative to it’s pesticidal, hollow, sample-obsessed, accessibly comfortable and digital-dependable…
WPGM Recommends: Dutch Uncles – O Shudder (Album Review)
The evolution of inquisitive Manchurians Dutch Uncles has been one of self-discovery, wanderlust, experimental play, sandwich-naming and an inventive creation…
Best New Music: Susanne Sundfør – Ten Love Songs (Album Review)
Overprotective parents often quiver in fear upon discovery that their precious child is hanging around with a new group of…