WPGM Recommends: Flamingods – Kewali (EP Review)
Experimental Psych adventurers Flamingods have returned stronger than ever with their new EP Kewali. The 5 piece outfit is made…
WPGM Recommends: Slow Steve – Steps (EP Review)
Contrasting first impressions taken from the first two music videos (“Prince de Combat” and “Minuit”) that circulate the internet from the…
WPGM Interviews: The Muscadettes – Garage Rock, Happy Songs And ‘SIDE A’
“And our next guests were born in California’s Silicon Valley but were brought up in Montreal, they have a EP…
WPGM Recommends: Tracy Bruen – Play Outside The Lines (EP Review)
Hailing from Ireland’s Galway – a booming city that’s at the heart of traditional folk music – playful multi-instrumentalist and…
WPGM Interviews: Buscabulla – The Upsetters, Caribbean Music Of The Future & The Evolution Of Puerto Rican Music
When asked the question: “how many Puerto Rican musicians can you name?“, the immediate thought for Europeans is “where exactly…
WPGM Recommends: Ady Suleiman – This Is My EP (EP Review)
Bookended by ambulance sirens, this is an EP about injury and emergency metaphorically relating to the many corners and concerns…
WPGM Recommends: Lydia René – Vintage Heart (Album Review)
Did Neo-soul ever disappear? The sophisticated, challenging, emotional and organic alternative to it’s pesticidal, hollow, sample-obsessed, accessibly comfortable and digital-dependable…
WPGM Recommends: Meresha – New Revolution (EP Review)
It can’t be too coincidental that Warsaw-born Florida-resident Meresha has the first ever world music music premiere on fast-growing and…
WPGM Interviews: CALLmeKAT – Experimental Sounds, Cinematic Influences And ‘Hidden Waters’
Danish musician Katrine Ottosen – who performs as CALLmeKAT – has just released her latest EP Hidden Waters. Like her…
WPGM Recommends: CALLmeKAT – Hidden Waters (EP Review)
Six years ago, a personal singing visit from CALLmeKAT’s Katherine Ottosen would have the been the perfect cure for a…