WPGM Recommends: Marie Naffah – Golden State (EP Review)
Emerging alternative pop singer songwriter Marie Naffah released her debut EP Golden State on the 9th of April via US-based…
WPGM Recommends: BROCKHAMPTON – Roadrunner: New Light, New Machine (Album Review)
I will unashamedly admit to being one of those downright annoying fans of Brockhampton. For the past two years, I…
WPGM Recommends: As Everything Unfolds – Within Each Lies The Other (Album Review)
Hailing from High Wycombe, As Everything Unfolds hit you hard and fast with their chaotic debut album Within Each Lies…
WPGM Reviews: Dutch Music Export At SXSW 2021
New Dutch Wave is an international movement focused on high-level Dutch creativity and entrepreneurship, which was launched at SXSW in…
WPGM Reviews: British Music Embassy At SXSW 2021
The British Music Embassy has been the official British artists residency at SXSW since 2008, with the curated showcase occupying…
WPGM Recommends: Evanescence – The Bitter Truth (Album Review)
After 10 years of reflection, soul searching and hard work, Evanescence have given us something special with their new album…
WPGM Reviews: AfroFuture Sounds At SXSW 2021
Created by Daju and British Underground for SXSW 2021, AfroFuture Sounds is a groundbreaking showcase that was produced between London,…
WPGM Commentary: Celebrating Ghetts Breakout Album ‘Conflict Of Interest’
It is hard to remember a moment where almost everyone in the scene was pushing for a grime album to…
WPGM Recommends: Pale Waves – Who Am I? (Album Review)
Pale Waves tell you exactly who they are with their follow up album Who Am I? Tackling LGBT, pride, self-discovery…
WPGM Recommends: Fredo – Money Can’t Buy Happiness (Album Review)
There was a special atmosphere to new music Friday on the final weekend of January, we saw an energising hype…