WPGM Commentary: Helen Murray Calls Out Your Superiority Complex On ‘Royalty’
Hi everyone, I’m Helen Murray, an alternative R&B-Soul artist from Ireland. I write and co-produce all of…
Editor’s Picks
Behind The Music: UK R&B Newcomer Amethyst On ‘Get Comfortable’ And Offering Room For Reconnection
Introducing British R&B/Soul newcomer Amethyst. Her luscious and soothing soulful jazz vocals, combined with her unique sound, which has been…
The Best Albums of 2021: 10 – 1
Drum Roll Please. This Is… We Plug Good Music’s Best Albums of 2021 The closing credits of 2021 have started…
WPGM Interviews: Ayra Starr – ‘19 & Dangerous’, Self-Discovery And Creating Safe Spaces
At just 19 years old, Ayra Starr is a true blend of unapologetic Gen Z essence and a more introspective…
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WPGM Commentary: MIREI Feels Stuck In The Middle On ‘1998’
When you hear the year “1998“, what do you think? Does it feel like it’s…
The Best Albums of 2021: 10 – 1
Drum Roll Please. This Is… We Plug Good Music’s Best Albums of 2021 The closing…
WPGM Recommends: AURORA – The Gods We Can Touch (Album Review)
After having graced our screens as the voice of the north wind in Disney’s Frozen…
WPGM Commentary: Shap Fede? An Odyssey of South African Hip Hop And Its Prodigal Cousin Kwaito
Shap Fede? (phrase) /Shup-fe-de/ A colloquial greeting translating to “Hi, How Are You?” associated with…
WPGM Recommends: Kojey Radical – Reason To Smile (Album Review)
Over the years, scientists have failed to explain to us where the British accent magically…
The Best Albums of 2021: 30 – 21
Drum Roll Please. This Is… We Plug Good Music’s Best Albums of 2021 The closing…
