WPGM Commentary: Onyi Moss Finally Breaks Free Of Her Abuser On ‘Miracle Man’
Hi, I’m Onyi Moss – a British/Nigerian singer-songwriter, based in Manchester UK. “Miracle Man” is a song…
Editor’s Picks
WPGM Commentary: Music Festivals Continue To Overlook Women And Lack Gender Balance
Post the covid lockdown, major music festivals are returning this summer across multiple cities in the US and globally, and…
WPGM Reviews: AfroFuture Sounds At SXSW 2021
Created by Daju and British Underground for SXSW 2021, AfroFuture Sounds is a groundbreaking showcase that was produced between London,…
WPGM Recommends: 10 Women At The Forefront Of Global Music
Happy International Women’s Day! In honor of #IWD and all the women doing amazing work in music, we want to…
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The Best Albums of 2020: 20 – 11
We Present To You… We Plug Good Music’s Best Albums of 2020 Finally, we kissed…
The Best Albums of 2020: 10 – 1
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WPGM Commentary: Koren Grace On The Making Of Her New EP ‘All My Friends’
“Why did I have such a hard time keeping friends?” My name is Koren Grace,…
The Best Albums of 2020: 40 – 31
We Present To You… We Plug Good Music’s Best Albums of 2020 Finally, we kissed…
WPGM Interviews: PsychoYP & Azanti – Breaking Boundaries, Working With Apex Village And ‘YP & Azanti Vol. 1’
Emerging from Nigeria’s ever-growing music scene; meet the new kids on the block, PsychoYP and…
WPGM Commentary: Bea Anderson On The Making Of Her Debut EP ‘Eden.’
Hey guys, may name is Bea Anderson and I’m a singer-songwriter from South-East London. I…
