WPGM Recommends: Mi’das – Stronger (EP Review)
With each episodic EP in the The Story So Far collection series of London-based Brighton-born acoustic-soul-pop – with funk and…
WPGM Recommends: Stealing Sheep – Not Real (Album Review)
Renting out their enchanting unified harmonies to fellow Northerners Dutch Uncles for the final track of their album O Shudder, Stealing…
WPGM Recommends: Lord Huron – Strange Trails (Album Review)
Ben Schneider’s fondness for telling stories in a panoramic fashion is what makes Lord Huron a rare treat. In a…
WPGM Recommends: Blur – The Magic Whip (Album Review)
Blur’s first album in 12 years isn’t just a big reunion of curious old friends looking for one last shot…
WPGM Recommends: Waxahatchee – Ivy Tripp (Album Review)
Coincidentally born on the exact same day in 1989 as this humble critic and with the identical twin attribute, it’s…
Best New Music: Alabama Shakes – Sound & Color (Album Review)
The dreams-can-come-true American underdog story that narrates the path to success for Brittany Howard – lead vocalist of Alabama Shakes…
Best New Music: Daniel Westin Quartet – Hymn [WPGM Premiere]
It’s easy to lose track of fresh, creative and sophisticated instrumental music because avenues for that non-commercially viable and divided…
WPGM Recommends: Ady Suleiman – This Is My EP (EP Review)
Bookended by ambulance sirens, this is an EP about injury and emergency metaphorically relating to the many corners and concerns…
WPGM Recommends: Denai Moore – Elsewhere (Album Review)
A “creative marriage” is how Jamaican-born bowler hat-wearing Denai Moore portrays the production process of her debut album Elsewhere with prolific…