WPGM Commentary: Abby Power On The Making Of Her New EP ‘Home Is Where The Start Is’
I’m Abby Power, and Home Is Where The Start Is is my introduction back into music after a five year…
WPGM Recommends: Isolation Playlist 001 – Life Before Social Distancing
We have fallen into unprecedented times, where distance seems to have taken over every aspect of our lives. Easter bank…
WPGM Reviews: Fleetwood Mac Live At Wembley Stadium
“It really is an honour to still be doing this”, Mick Fleetwood utters through an echoed microphone. And it really…
WPGM Reviews: WOMPS Live At The Tunnels
The Tunnels in Aberdeen, where young and new bands cut their teeth, played host to two up and coming bands…
WPGM Recommends: Sóley – Ask The Deep (Album Review)
After growing accustomed to surreal multi-instrumentalist Icelander Sóley Stefansdottir (Sóley) and her nightmarish poetry – inspired by Edgar Allen Poe…
WPGM Interviews: Skatan – Artistic Baroque Pop, Swedish Music Education And Nightly Dreams
Described as the musical equivalent to a John Bauer painting, 24-year-old red-headed Swede Simone Andersson Wingfors aka Skatan effortlessly enchants…
WPGM Recommends: The Kooks – Listen (Album)
It’s true, ever since The Kooks released their debut album Inside In/Inside Out (which reached number 2 in the UK…
We Plug To You… Ayo The Nigerian Nightmare
Ladies, gentlemen and those in between… We plug to you Ayo the Nigerian Nightmare. I was introduced to Ayo’s music late…